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The Second Silk Road International Arts Festival

The beautiful blend of cultural unity of music has been presented at Xian City and Lianyan Temple simultaneously in September Recently. The festival called ‘The Second Silk Road International Arts Festival.’ The opening performance was organized at Grand Theatre at Renmin Square on 7th-8th September, 2015. The following art forms were presented from India-
  • India Bollywood Dance and Music
  • Indian Classical Dance and Music
  • Indian Folk Dance and Music
  • India Light Classical Music
The First program was Indian Classical Instrumental Music, the group with santoor, flute, Tabla and vocal presented mesmerized performance. Musical instruments are the tangible and material representation of music which is an auditory art. A study of these helps in tracing the evolution of music and also explains many aspects of the material culture of the group of people to which these instruments belong. For instance, the hair used for making the bow, the wood or clay used for making the drum, or the hide of animals used in the instruments, all these tell us about the flora and fauna of a particular region.
In the Natya Shastra, compiled by Bharat Muni dated 200 B.C.-200 A.D., musical instruments have been divided into four main categories on the basis of how sound is produced.
  • The Tata Vadya or Chordophones- Stringed instruments
  • The Sushira Vadya or Aerophones- Wind instruments
  • The Avanaddha Vadya or Membranophones- Percussion instruments
  • The Ghana Vadya or Idiophones- Solid instruments which do not require tuning.
The tata vadya is a category of instruments in which sound is produced by the vibration of a string or chord. These vibrations are caused by plucking or by bowing on the string which has been pulled taut. The length of the vibrating string or wire, the degree to which it has been tightened, determines the pitch of the note and also to some extent the duration of the sound.
The tata vadya are divided into two broad categories-the plucked and the bowed, and further subdivided into the fretted and non-fretted variety.
The oldest evidence of stringed instruments in our land, however, are harps in the shape of the hunters bow. They had a varying number of parallel strings made of fibre or gut. There used to be one string for each note, plucked either with the fingers or with the plectrum called the kona. Veena was the generic term for stringed instruments referred to in texts: and we have the ekatantri, the sata-tantri veena, etc. The Chitra had seven strings and the Vipanchi nine; the first was played with the fingers and the second with a plectrum.
Representation of these can be found in many sculptures and murals of olden days, as for example, in the Bharhut and Sanchi Stupa, the reliefs of Amaravati and so on. Mention of. Yazh are found in old Tamil texts from the 2nd century A.D. The playing of such instruments was an important part of ritual and ceremonies. As the priests and performers sang, their wives played on instruments.
Another class is of the dulcimer type, where a number of strings are stretched on a box of wood. The best known of these was the sata-tantri veena-the hundred stringed veena. A close relative of this is the Santoor, a very popular instrument still played in Kashmir and other parts of India.
A later development of stringed instruments are the fingerboard variety, which were most suited to Raga Sangeet and many of the prevalent instruments of the concert platform, whether fretted or non-fretted, bowed or plucked fall into this category. The great advantage of these instruments is the richness of tone production and continuity of sound. In the finger-board instruments all the required notes are produced on one chord (string or wire) by altering the length of the wire either by pressing it with a finger or a piece of metal or wood. This increase or decrease in the length of the vibrator wire is responsible for the changes in pitches of notes-swaras.
Bowed instruments are usually used as an accompaniment to vocal music and are referred to as Geetanuga. They are divided into two broad categories-the upright and the inverted. In the first category the fingerboard is held straight up as in the case of Sarangi and in the second category, that is, in the inverted variety, the board or resonator is held towards the shoulder and the fingerboard dandi is held across the arm of the player as in the case of the Ravanhastaveena, the Banam, the Violin.
After instrumental music there is one another form of dance  “Kathak”  which enthralled the audience. 
The word Kathak has been derived from the word Katha that means a story. Kathakars or storytellers are people who narrate stories largely based on episodes from the epics, myths and legends. It probably started as an oral tradition. Mime and gestures were perhaps added later on to make the recitation more effective. Thus evolved a simple form of expressional dance, providing the origins of what later developed into Kathak as we see it today.
The Vaishnavite cult which swept North India in the 15th century and the resultant bhakti movement contributed to a whole new range of lyrics and musical forms. The Radha-Krishna theme proved immensely popular along with the works of Mirabai, Surdas, Nandadas and Krishnadas.

Folk Music

After  kathak dance next progarme was folk   dance  of India . In india  so  many  folk dances are performed . There are some examples of folk dance .


A musical form or a popular folk music in Northern Bangladesh, especially Rangpur District and in Cooch Behar, Jalpaiguri, part of Darjeeling and North Dinajpur district of West Bengal and Dhubri and Goalpara of Assam in India. These areas were covered by Kamtapur state and so for the song also Kamtapuri language is used. This folk song is sung traditionally both solo and by chorus. 


Kalbelia or Kabeliya is one of the most sensuous dance forms of Rajasthan, performed by a tribe of the same name.[1] They are famous for their dance which is an integral part of their culture. Both men and women in the tribe participate in this activity to celebrate joyful occasions. 


Bhangra is a type of upbeat popular music associated with Punjabi culture. It was developed in Britain in the 1980s by first and second generation immigrants from the Punjab region of India and Pakistan forming the Punjabi diaspora, drawing from music and song of the Punjab region as well as Western musical styles.It is seen by some in the West as an expression of South Asian culture as a whole. Bhangra music was replaced by Punjabi folk music in the mid 1990s. Using the derivative form of Punjabi Folk music and Hip-hop. 

Bollywood Dance

 The  last programe was bollywood dance. Bollywood is the informal name given to the popular Mumbai-based Hindi language film industry in India. Bollywood Dancing is one of the hottest dances around! It is the foundation of every great Indian Bollywood Film. The dances are a fusion of traditional and classical Indian dances with the influence of some jazz, hip-hop and modern dance. Timing and Rhythm, energy, and sharp controlled expressive movements are the important elements of Bollywood Dancing! 
The chief producer of the Indian team was Mr. Binod Singh. The other team members’ details are as follow-  Artistic Director-Liu Kuanren
  • General Planner- Ren Jinyi
  • General director- An Ping
  • Executive Director- Yang Kailli
  • Hostess- Song Lei
  • Dance Director- Jin Shansthan
  • Stage Director- Jia Qinglian
  • Video Designer- Fu Kun